Eden Session 2005 – Way Back Reviews

The Eden Sessions of 2005 showcased the power of music to captivate, uplift, and transport, leaving a lasting imprint on the hearts of all who were fortunate enough to be part of these extraordinary events.

The Eden Sessions, held at the Eden Project in Cornwall, United Kingdom, brought together an impressive lineup of renowned artists in 2005. This series of events showcased the talents of some of the biggest names in the music industry, captivating audiences with their mesmerizing performances. The unique combination of the Eden Project’s stunning surroundings, characterized by giant red glowing biodomes and a neon-drenched night sky, with the enchanting melodies drifting from the stage, created an atmosphere that felt nothing short of magical.

The festival kicked off with a stellar performance by Embrace, a band that has the potential to reclaim its place as one of England’s biggest musical acts. Embrace delivered big anthemic songs with a conviction and truth that set them apart. Songs like “Gravity,” “Come Back to What You Know,” “Ashes,” and “Looking as You Are” were delivered with a warmth that connected deeply with the audience, forging a profound bond between the band and their loyal fanbase. The air was filled with a sense of magic and unity as Embrace’s powerful music resonated through the awe-inspiring surroundings of the Eden Project.

Hard-Fi took the stage with their unique blend of dub, punk, ska, reggae, and pop, aiming to establish themselves as a modern-day Clash. Frontman Richard Archer’s natural charisma, reminiscent of Joe Strummer and Damon Albarn, infused the performance with energy and intensity. Hits like “Cash Machine” and “Tied Up Too Tight” reverberated through the crowd, infusing a new lease of life into the atmosphere. The band’s sensitive-sounding tracks from “Stars of CCTV” resonated deeply, while their unexpected dub version of The White Stripes’ “Seven Nation Army” added a touch of intrigue and surprise to the set. The evening culminated with their latest single, “Living for the Weekend,” leaving the audience in awe and affirming Hard-Fi’s potential to become one of the breakout success stories of 2005.

Keane, known for their polite pop and mannered songwriting, demonstrated their ability to connect with the audience in a live setting. Their anthemic songs, such as “Everybody’s Changing” and “Somewhere Only We Know,” evoked a collective spirit of positivity and shared experience. The heartfelt performances of lead singer Tom Chaplin, combined with the iconic surroundings of the Eden Project, created an atmosphere that felt both uplifting and magical. Keane’s ability to unite band and audience in a sea of feel-good vibes was truly a sight to behold.

Basement Jaxx, the dynamic duo turned world-conquering pop band, transformed the Eden Project into a pulsating dance floor. Their infectious beats and energetic stage presence, enhanced by multiple singers, dancers, and costume changes, turned the venue into a non-stop carnival parade. Hits like “Remedy,” “Romeo,” and “Red Alert” ignited the crowd, who enthusiastically embraced the party atmosphere. Basement Jaxx’s showmanship, combined with an amazing light display and larger-than-life performers, elevated the experience to a surreal disco party, leaving an indelible mark on the Eden Sessions.

Lady Sovereign, often likened to a female version of Mike Skinner, displayed her charismatic presence and impressive musical range. Her energetic performance and clever banter silenced any doubts about her talent. Lady Sovereign effortlessly shifted between urban grime, punk diatribes, and smooth pop offerings, captivating the audience with her spirited delivery. The crowd erupted as she closed her set with the latest single, “Nine to Five,” solidifying her status as an artist destined for pop stardom.

British Sea Power, a band known for their art-rock aesthetic and surreal performances, took the audience on a journey from indifference to chaos. While their set started off with a somewhat lackluster energy, British Sea Power soon unleashed their true potential, captivating the crowd with their unique brand of music. With a backdrop adorned with stuffed animals and coats of arms, the band’s aesthetic mirrored their eccentric art-student image.

Songs like “Please Stand Up” and “It Ended on an Oily Stage” showcased British Sea Power’s ability to rock with intensity, combining towering guitar riffs with soaring melodies. The audience witnessed a transformation as the band shed their earlier indifference, embracing a more chaotic and energetic performance. Random acts of feedback, screaming vocals, and even a pantomime black bear prowling the stage added an unpredictable and thrilling element to the set.

Badly Drawn Boy, the embodiment of humanity, charm, and warmth, enchanted the crowd with his heartfelt and intimate solo performance. Damon Gough, playing both the keyboard and acoustic guitar, delivered a set filled with new songs, unreleased gems, and the occasional karaoke moment. Self-deprecating throughout, Gough’s genuine connection with the audience allowed the music to take center stage. Stripped-down versions of “Silent Sigh” and “Once Around the Block” elicited the warmest responses, while the new songs showcased Gough’s enduring talent. Despite the low-key and acoustic nature of the performance, it was undeniable that Badly Drawn Boy was an artist to be loved and cherished.

Ian Brown, fresh from headlining Glastonbury and on the verge of releasing his first solo greatest hits album, took the stage with an air of confidence and triumph. The crowd erupted as the band launched into “Made of Stone,” and the audience sang back every line with unwavering conviction. Brown’s enigmatic and soulful stage presence, reminiscent of his Stone Roses days, enthralled the audience as he flawlessly performed hits like “Love Like a Fountain” and “My Star.” The highlight of the night came with the powerful rendition of “F.E.A.R.,” where the crowd seamlessly joined in on the massive chorus, transforming it into an unforgettable moment. Ian Brown’s performance at the Eden Project solidified his status as a true star and rare talent, leaving no doubt about his enduring musical legacy.

The Ambassadors of Sorrow, a cool three-piece band from Penzance, created an ambiance perfectly suited to their music within the tropical biodome of the Eden Project. Their jazzy guitar work, gentle drum brushes, and the mesmerizing vocals of Angeline Morrison transported the audience to Parisian cafes. Despite performing to a small crowd, their renditions, including a cover of a Francois Hardy song, captured the attention and awe of those in attendance. The Ambassadors of Sorrow proved that music can transcend space and time, leaving an indelible impression on all who experienced their captivating performance.

The Eden Sessions of 2005 delivered a series of unforgettable musical experiences against the backdrop of the awe-inspiring Eden Project. From Embrace’s anthemic and heartwarming performance to Basement Jaxx’s non-stop carnival extravaganza, each artist left their mark on the audience. The enchanting atmosphere of the venue enhanced the connection between musicians and fans, resulting in nights filled with magic, energy, and a sense of unity. The Eden Sessions of 2005 showcased the power of music to captivate, uplift, and transport, leaving a lasting imprint on the hearts of all who were fortunate enough to be part of these extraordinary events.

Part of our Way Back reviews from the team at Festival Diaries

Many of us here at FD have enjoyed countless festivals in the UK and abroad which have left indelible incredible memories which we hope we can share with our visitors who may have missed them and or may not have here yet!

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